![]() Over the years, the favelas grew exponentially and, even now, a migration of labourers, mainly from the poorer north-east, is still going on. ![]() Originally, they bought mainly black American funk, but when they started to import freestyle, hip-hop and other genres, the term ‘funk’ remained.īrazil’s favelas arose in the late nineteenth century when labourers from the countryside came to the city in search for a better life. Funk carioca (literally ‘funk from Rio’) was born in the late 70s, when Brazilian DJs went to America to buy ‘black music’. The music that is known as ‘funk’ in Brazil doesn’t have much to do with the music we call ‘funk’ in the rest of the world. Although those from outside as well as inside the favelas criticize its current incarnation for being vulgar, cheap and commercial, there’s a lot more to it than that. It’s a story of creativity, oppression and resistance. The history of funk carioca tells the story of Rio’s favelas and their place in the city.
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